It's all about R Patz today, as Cosmopolis takes a bow on the Croisette
9.32am: A few notes of semi-caution.
Wish I could rewatch COSMOPOLIS before writing a word about it.
For now, it's both too much and too little; I'm both impressed and deflated.
— Guy Lodge (@GuyLodge) May 25, 2012
COSMOPOLIS strange and stately.
A psychoanalysis flick that's a sequel to both Crash and Dangerous Method.
I was mesmerized.
#cannes2012
— Jonathan Romney (@JonathanRomney) May 25, 2012
9.26am: Such a positive response to tilts the competition interestingly.
Will Nanni Moretti's jury go glam (Cosmopolis), go grim (Amour) or just split the difference and go for downright bananas (Holy Motors)?
9.23am:
Blown away by Cosmopolis at Cannes.
A flick of cool, diamond brilliance.
Perfectly fitted, a tale for the times.
Note to jurors: this one
— Xan Brooks (@XanBrooks) May 25, 2012
Enjoyed Cosmopolis; odd and funny
— Damon Wise (@yo_damo) May 25, 2012
Cronenberg's COSMOPOLIS talky but terrific, with a steely, sinuous turn from Pattinson.
Chillingly current too.
#cannes
— Robbie Collin (@robbiereviews) May 25, 2012
Themes of Cannes 2012: white stretch limos, A-listers pissing, dead dogs, financial crisis, Twilight actors, Matthew McConaughey...
— Charles Gant (@charlesgant) May 25, 2012
Of Pattinson, Xan reckons:
@alexneedham74 Perfect as tragicomic billionaire vampire.
Plus Mathieu Amalric as phantom pie-thrower, Paul Giamatti as the lower 99%
— Xan Brooks (@XanBrooks) May 25, 2012
Cronenberg's COSMOPOLIS talky but terrific, with a steely, sinuous turn from Pattinson.
Chillingly current too.
#cannes
— Robbie Collin (@robbiereviews) May 25, 2012
9.22am: Bonjour! It's a lovely morning in London, but let's hot-tail it to the south of France, where the critics are streaming out of Cosmopolis, David Cronenberg's adaptation of the Don DeLillo novel.
And I can see the smiles from here.
Robert PattinsonDavid CronenbergCannes flick festivalCannes 2012Catherine Shoardguardian.co.uk © 2012 Guardian News and Media Limited or its affiliated companies.
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